Current Exhibitions:
	SENTINEL (SOUTH)
	TheGallery, The Arts University College at Bournemouth
	9 March - 20 April, 2012
	Accompanied by a text + work publication, which features an essay by Pippa Oldfield
	Recent Exhibtions
	SCOPE: New Photographic Practices
	Visual Art Centre, Tsinghua Universtiy, Beijin,g China
	SCOPE: New Photographic Practices is accompanied by a publication with a foreward by Martin Newth and a new essay, 'Flow', by Roger Hargreaves.
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	The Imagination of Children
	Sonia Boyce, Sarah Cole, Angie Duignan, Richard Elliott, Roisin Loughrey, Martin Newth, Ans Nys, Jessica Voorsanger
	15 October 2011 – 5 February 2011
	V&A Museum of Childhood
	Cambridge Heath Road
	London E2 9PA
	http://www.vam.ac.uk/moc/whats_on/exhibitions_and_displays/the_imagination_of_children/index.html
	Fast Forward
	Angus Braithwaite, Helen Edling, Joseph Hillier, Leonie Lachlan, Martin Newth, Victoria Rance, Claire Rowlands, Andrew Wilson
	15 October to 26 November 2011
	Globe Gallery
	53-57 Blandford Square
	Newcastle upon Tyne
	NE1 4HZ
	http://www.globegallery.org/
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	Visibly Evident 3
	Curated by David Ross
	Terry Bond, Nick Pearson, Daniel and Mark Goddard, David Ross, Enzo D’agostino, John Blake, Martin Newth, Graham Revell
	October 7th–October 30th 2011
	OPEN Gallery
	113 Uxbridge Road
	London
	W5 5TL
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	Sentinel: Martin Newth
	George and Jørgen 9a Prices Street London W1B 2LQ
	May 10 - 29, 2011
	http://www.georgeandjorgen.com/
	Sentinel -The Thames at Dartford. (Detail) Unique C-type Negative. 76x124cm. 2011
	Download Press Release (50K)
	Recently Published:
	Sentinel
	Martin Newth
	Published in 2011 to coincide with the exhibition Sentinel, by Martin Newth at George and Jørgen, London
	"The photographs in this book represent 56 of the estimated 18,000 pillboxes built in Britain between 1940 and 1945. The concrete and brick structures, designed as lookouts with gun emplacements from which to shoot at the enemy, were built during the Second World War in anticipation of a German invasion. Lining large swathes of the British coastline as well as appearing inland forming ’stop lines’ around major urban centres, the architecturally minimal structures were never used. Instead, for the past 65 years they have stood sentinel over the British landscape."
	Published by Broken Glass, London
	www.brokenglassbooks.co.uk
	ISBN: 978-0-9551138-2-6
	118 pages, 56 Black and White plates.