Conceived during Covid lockdowns, this series of works extends the homemade approach to both materials and process. Martin Newth’s research has tapped into online sustainable photographic communities to explore the use of household materials and garden plants in concocting the photographic chemistry needed to develop his negatives. In addition, employing partially fogged, out-of-date photographic paper, the images require very long exposures ranging from 2 to 30 minutes, significantly slowing down the normally frantic pace at which the gamer experiences the landscape. This deliberate juxtaposition of hyper-analogue technology results in fingerprints, dust, and light leakage leaving indelible marks, as if the very act of creation is seared into the image, thus creating a complex interplay between the real, the constructed, the physical, and the immaterial.