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Born: Manchester, UK. 1973 Lives and works in London and Glasgow |
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EDUCATION |
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1997-1999 |
Slade School of Art MFA Fine Art Media |
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1992-1996 |
Newcastle University BA Hons Fine Art |
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SOLO EXHIBITIONS |
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2021-22 |
In Transit. Film and community engagement project commissioned by Creative People and Places (CPP) Hounslow, funded by Arts Council England (ACE). |
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2020 |
Constructing Landscapes/Builiding Worlds. Film-essay supported by the Portland Sculpture and Quary Trust, responses and films presented at Late at Tate Britain. |
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2018 |
Martin Newth: Re-view. Photofusion, London |
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2018 |
Martin Newth. Rezension - Skulptur, Objekt, Apparat. MEWO Kunsthall, Memmingen, Germany |
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2013-14 |
Martin Newth: Material Matters. Gerald Moore Gallery, London |
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2012 |
Sentinel (South). TheGallery, The Arts Universoty College Bournemouth |
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2011 |
Sentinel. George and Jørgen, London |
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2008 |
Ausblick. Axel Lapp Projects, Berlin |
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2007 |
Slow Burn. Focal Point Galery, Southend |
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2006-2007 |
Solar Cinema. Cannizaro Park, London |
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2005 |
Vanishing Point. MAC Gallery, Birmingham |
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Rush Hour. BCA Gallery, Bedford |
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2002 |
Golden Years. The Beacon Museum and Art Gallery, Whitehaven. |
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2001 |
After/glow The Gallery, The Arts Institute at Bournemouth |
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SELECTED GROUP EXHIBITIONS |
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2025 |
Xiamen International Art and Design Exhibition, Xiamen Art Museum, China |
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2022 |
Keywords. BWA Gallery, Katowice, Poland |
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2019 |
The Storm is Blowing From Paradise, Loft 8 Gallery, Vienna, Austria |
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2019-20 |
West Coast Photo, Dock Museum, Barrow-in-Furness, Cumbria, UK |
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2016 |
Parallax #2, Chelsea College of Arts, London |
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Panoptic, 2016 Chongqing Creative Festival,ADC Art Square, Liangjiang New Area, Chongqing, China |
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2015 |
Parallax. ASP Katowice, ul. Raciborska 50, Katowice, Poland |
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A Small Constellation of Photographic Evidence, Cheng Art, BO3 798 Art Zone, Beijing, China. |
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2014 |
Scene, PM Gallery London, co-curated with Fergus Heron |
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2013 |
Troubled Waters, Kuandu Museum of Fine Arts, Taipei, Taiwan |
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2012 |
Stone of Folly, Downstairs Gallery, Herefordshire |
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CAPITAL, George and Jørgen, London, co-curated with Fergus Heron |
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2011 |
SCOPE: New Photographic Practices, Visual Arts Centre, Tsinghua University, Beijing, China |
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Visibly Evident, Spinach, London |
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In the Imagination of Children, V&A Museum of Childhood, London |
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Night Time Day Light, Millimetre Projects, London |
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2010 |
Visibly Evident, Central Space, London |
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2008 |
Concrete Dreams, APT Gallery, London |
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Menschen und Orte. Kunstverein Konstanz, Constance, Germany |
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2005 |
Andmoreagain Open Eye Gallery, Liverpool |
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Passing Through Ffotogallery, Cardiff. with Natalie Latham andTim Macmillan |
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Mostyn Open Oriel Mostyn Gallery, Llandudno |
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Sequences. Furniture Works, London |
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Royal Pump Rooms, Leamington Spa |
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Lighthouse Poole |
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Q Arts, Derby |
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2004 |
Sequences. Peterborough Digital Arts |
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The Deceleration Project 27 Spital Square, London |
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2003 |
London Calling Con-temporary, Berlin, Germany |
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Wandle Arts Project South London – public art project funded by Sustrans |
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2002 |
Evidence Essor Gallery Project Space, London |
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No Sleep 'til Hammersmith Central Space, London |
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A Suitable Case Central Space, London |
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2001 |
Cultural Advancement The Century Gallery, London |
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Twilight The Standpoint Gallery, London |
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2000 |
DIY 19 Glengall Road, London |
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1999 |
FLASH Arti et Industriea Gallery, The Hague, Holland |
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MFA Degree Show The Slade School of Art, London |
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Doing Time Crowbar, London |
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1998 |
London Artists Bookfair The Barbican, London |
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Show Woburn Square Gallery, London |
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Hotbed The A Gallery, London |
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1997 |
New Work The Fever Factory, Arnhem, Holland |
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1996 |
Friends From The North The Tannery, London |
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SELECTED PUBLICATIONS |
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2023 |
Culture Shocks. In ‘On Care. A Journey into the Relational Nature of Artists’ Residencies’, ASP Katowice, U-Jazdowski and Akadmie Schloss Solitude, Poland and Germany |
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2022 |
Parallax 2 2017-21. Co-edited with Pawel Mendrek. ASP Katowice and Chelsea College of Arts |
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2018 |
Martin Newth: Rezension – Skulptur, Objekt, Apparat. MEWO Kunsthalle, Memmingen, Germany |
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2017 |
Parallax 2015–2017. Co-edited with Pawel Mendrek. ASP Katowice and Chelsea College of Arts |
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2018 |
Alternative Zones: Uncovering the Official and the Unofficial in Fine Art Practice, Research and Education. Paradox, University of the Arts Poznan, Poland |
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2016 |
Professional Practice, 20 Questions Q-Art Publication featuring interviews with 50 Fine Art CourseLeaders. Edited by Sarah Rowles and Jo Allen |
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2012 |
Visible Economies. Photography, Economic, Conditions, Urban Experiences Chapter: Double Take. Edited by Fergus Heron. Published by Photoworks UK |
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2012 |
Sentinel (South), Text + Work, AUCB. |
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2011 |
Sentinel, Martin Newth. 118pp Broken Glass, London. |
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2010 |
Future Images, Edited by Mario Cresci, 256pp Motta, Milan |
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2009 |
Sequences, Contemporary Chronophotography and Experimental |
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Digital Art, 256ppEdited by Paul St.George, Wallflower Press, London |
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2008 |
Menschen und Orte, Exhibition Catalogue, Kunstverein Konstanz, 96pp |
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The Green Box, Berlin. Text by Axel Lapp |
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2007 |
Martin Newth: Solar Cinema, Art Works in Wimbledon |
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36pp with texts by Alison Green,Martin Holman and Paul Tebbs |
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Slow Burn: Martin Newth exhibitioncatalogue, Focal Point Gallery |
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12pp with essay 'Erasures in Time' by Roy Exley |
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2006-2007 |
lensrecap, Art Works in Wimbledon, five issues, project newsletter for |
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Martin Newth: Solar Cinema |
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2005 |
Sequences 28pp Exhibition Catalogue,Paul St George, Giles Askam |
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2004 |
Source Issue 40, feature about8 Hours |
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AWARDS |
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2004 |
AiR Artist Residency and Photography Commission, BCA Gallery, |
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Bedford |
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2001 |
Boise Travel Scholarship |
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2000 |
ACAVA First Base studio residency award |
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1997 |
British Academy Professional andVocational Award |
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1996 |
Northern Arts Artists Assistance Award |
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